By Jean Marc Belkadi
Jean Marc Belkadi grants over 30 nice traces utilizing a number of recommendations and melodic principles.
Covers: exchange, sweep, and bypass determining; significant scale, chromaticism, arpeggios, superimposing triads; legato, vast periods, adjustments; and masses extra. comprises common notation and tablature.
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It’s a phenomenal performance of a familiar and frequently recorded song, but Delta Moon manages to imbue James’ original take with additional pathos and menace. As shown by Low Down, it’s Delta Moon’s ability to connect with a song’s heart – whether an original composition or a cover – that puts them in a league with better-known fellow travelers like Watermelon Slim and the Workers and the Nighthawks. – Rev. Keith A. Gordon ----------------------------- TED DROZDOWSKI Love & Life Dolly Sez Woof This is the band’s sixth release and it is a perfect product to showcase their unique blend of psychedelic garage bluesrock.
In his liner notes, Woods says he’s been shipping out on this annual voyage since 2002. On his latest trip he’s in good company with Billy Branch, Tommy Castro, Papa Chubby, Dwayne Dopsie, Coco Montoya, Lucky Peterson, Victor Wainwright, and various members of Roomful of Blues. Apparently they managed three days of nearly non-stop jamming. Woods says that he’s been known to play his regular sets, retire for the evening, and then wander back down in his pajamas to play again before sunrise. Sounds like serious fun.
Keith A. Gordon ----------------------------- GUY DAVIS Kokomo Kidd M. C. Records Listening to Guy Davis tell his tales is like walking down a country road through the history of the Southern experience. This Renaissance blues man comes to the stage influenced by all forms of art from blues musicians like Mississippi John Hurt and Taj Mahal to writers like Zora Neale Hurston to his parents, the great actors Ruby Dee and Ossie Davis. With that background, Davis has learned the essentials of storytelling through word and music.









