By Christopher Golden, Amber Benson
Even demise couldn't cease Britain’s maximum defenders.
In 1838, William and Tamara quick inherit a startling legacy from their loss of life grandfather, reworking them into the Protectors of Albion, mystical defenders of the soul of britain. however the surprised, neophyte sorcerers additionally inherit specific allies of their conflict opposed to the darkish forces. scuffling with along them are the famous–even infamous–Ghosts of Albion: Lord Byron, Queen Bodicea, and Lord Admiral Nelson.
When unusual and hideous creatures look within the slums of London, an unholy plague threatens to release an epic conflict which could rage all of the option to Buckingham Palace . . . and past. Time is working out as William and Tamara needs to research even if their neighbors will stand beside them, or seduce and betray them.
From Amber Benson, recognized for her dramatic portrayal of Tara in Buffy the Vampire Slayer, and Christopher Golden, Bram Stoker Award—winning writer of The Shadow Saga and Wildwood highway, comes a vengeful story of demons, vampires, and ghosts set in nineteenth-century London. in keeping with the break BBC net sequence that took England by means of typhoon, Ghosts of Albion is a horror experience laced with darkish humor and darker lusts.
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Extra info for Accursed (Ghosts of Albion, Book 1)
Sample text
She cried, leaping up from the grass. The black book tumbled to the ground. ” Yumiko closed her mouth with a gentle little sound. ” she said, her brow creased as a page. ” The girl stood, her braid slipping entirely loose, and stood very close, so close they might have kissed. She reached for Sei’s blouse and began to slide the buttons from their stitched eyelets. Sei pushed her away, but Yumiko smiled. “Please,” she murmured. Yumiko opened the crisp black shirt like a theater’s curtains. There, on Sei’s skin, were the strange dark lines, snaking across her sternum, arcing slightly onto the curve of her breasts.
The knots slacken, fall away. The four of them walk out, across the frond-threshold, into the night which smells of sassafras and rum, and onto broad, cinnamon-colored Hieratica Street. They stumble into the cane-strewn night, their feet filthy, their heads swimming with the winds of a not-too-distant sea. This is the part I like best. When they are so new. Newborn colts are not so innocent. The frog pushes them out of her shop like a mother urging her children toward the coach on their first day of school: Never fear, my darlings!
Their feet, benumbed, are overrun by crickets with glass wings. There are obvious things to say, but none of the four of them can find a voice buried in their ribs. Will you stand there forever? Will you become a piece of statuary on which children will swing and clover will grow? No—here is a gilded cart drawn by twin herons, their long black legs rustling the street-leaves. Out of the green-curtained window the head of a third heron, spectacularly turquoise, extends, eyes narrowed to avian slits.
